Sanditon and Buffalo’s Black History

Portrait of Elizabeth Taylor Greenfield courtesy of the New York Public Library

Wait, what? How are PBS’s Sanditon series, now in its 3rd and final season, and Black history in Buffalo connected? In the episode that aired on March 26, 2023, Arthur Parker invites American soprano Elizabeth Greenhorn to perform in Sanditon, a fictional fishing village turned resort town, for the King, who ends up giving his regrets. She decides to go on stage anyway, and we learn that she is African-American.

This character is based on real-life American soprano Elizabeth Taylor Greenfield, who was born into slavery in Mississippi around 1820 and began her career in 1851. When you’re writing fiction like Sanditon, which is set around 1817, you may use artistic license.

Greenfield was emancipated as a child by her enslaver, a woman, possibly Quaker, who raised and educated her in Philadelphia. In Buffalo, Greenfield was invited to stay in the home of a Mrs. Gen. P., who supported and encouraged her musical education. According to the anonymous author of “The Black Swan at Home and Abroad, or, A Biographical Sketch of Miss Elizabeth Taylor Greenfield, the American Vocalist,” (Philadelphia: Wm. S. Young, 1855), Greenfield’s host was Gen. (and Mrs.) Potter. This was most likely Judge Heman Potter (1786-1854), who lived on Niagara Square and was called General Potter. According to FindaGrave, Mrs. Potter was Electa Miller Potter (1790-1854).

Greenfield made her stage debut in Buffalo at Townsend Hall, corner of Main & Swan, on October 22, 1851. At this time, she was nicknamed The Black Swan, a name that followed her for the rest of her musical career.

Buffalo Daily Republic, October 18, 1851, Page 3

Her repertoire consisted of opera and classical composers, defying the expectations of white audiences of the day, who assumed that such music was beyond the capacity of Black performers.

After her debut, Greenfield performed in Rochester, Lockport, Utica, Albany, Troy, Boston, Columbus, Philadelphia, Milwaukee, Toronto, Syracuse, Brattleboro, and other North American cities. In 1853, she went on tour in Europe and on May 10, 1854, sang for Queen Victoria at Buckingham Palace. She was the first African-American to perform before British royalty.

After calling Buffalo home at the beginning of her career, Greenfield settled in Philadelphia, where she operated a music studio and died in 1876.


.

Who Was Buffalo’s First Woman Property Owner?

I don’t recall anyone ever identifying the first woman to acquire property in the city of Buffalo so I set out to find her. The Holland Land Company, which had title to what are now the eight counties of western New York, began selling lots to settlers in 1801. Many Buffalonians reading this will find the name of one of the principals of the Holland Land Company on their deeds. Often it is Wilhelm Willink.

What makes women property owners unusual at this time is that once they married, they could not buy, hold, or sell property under their own names. On their wedding day, by law, husbands automatically acquired all right and title to whatever land or fortunes women brought to the marriage.

This did not change in New York State until the passage of the Married Women’s Property Act in 1848. This law granted married women the same right as unmarried women to buy, hold, and sell property in their own names. No longer were husbands able to take control of wives’ land or money. New York was the first state to pass such a law and it was an important landmark in the emancipation of American women.

The first place I looked for our woman property owner was Tobias Witmer’s Deed Tables…in the County of Erie, originally published in 1859 and reprinted in 1981. I wish it was online for free, but it is not. Our link shows which libraries have a copy. Here is a list of more early lot holders in Buffalo.

The first feminine name I found was Letitia M. Ellicott (1782-1864), daughter of Andrew Ellicott and niece of Joseph Ellicott. On May 6, 1811, at the age of 29, she purchased a half acre in one of Buffalo’s inner (downtown) lots, next to Juba Storrs. It is likely that she did not spend much time in Buffalo; she was reportedly born and died in Pennsylvania.

Witmer, Tobias. Deed tables…in the county of Erie, as sold by the Holland Land Company, the Farmers’ Loan and Trust Company, and the State of New York. Knightstown, IN : The Bookmark, 1981, 1859, p. 4

Letitia’s half-acre was on lot 48, between what is now Main (Van Staphorst), Eagle, Clinton (Cazenovia), and Pearl (Cayuga). Today it is the site of the Main Place Mall.

Map of Buffalo in 1805, drawn by the Matthews-Northrup Company, probably in the 20th century
Map courtesy of Buffaloah.org and Picture Book of Earlier Buffalo, based on the original drawn by Juba Storrs

Her parcel was still vacant just before the burning of Buffalo in 1813.

Letitia Ellicott married John Bliss at West Point in 1819. He served as a captain in the U.S. Army during the War of 1812. His military career took them to several cities but she must had a fondness for Buffalo because she is buried in Forest Lawn Cemetery with her husband. I was unable to find a portrait of Letitia.

The Old Curiosity Shop: McDonnell and Sons Monument Company

McDonnell & Sons Quarry Owners

Parks officials were mortified at the malfeasance. The Soldiers’ and Sailors’ Monument in Lafayette Square was cracking and crumbling only six years after its erection in 1882 during the city’s semi-centennial year. A structural review was undertaken, revealing careless workmanship throughout the foundation of the monument. The core of rubble and mortar was inadequate to the task of supporting the granite shaft and statuary, which topped out at 85′. A copper box meant to serve as a time capsule was not found in its intended chamber, but three feet lower, embedded like just another foundation stone. It had been cracked under the pressure and its contents destroyed by water seepage.

The Parks Department annual report for 1890 was candid:

The plans, the specifications, the superintendence, and the masonry — all exhibit, or imply, gross ignorance or carelessness. It is really a disgrace to our civilization that so prominent a structure, designed to stand as a memento of our patriotism to all generations, should be built so insecurely that it must be taken down within six years of its erection.

The monument was designed by George Keller, a Hartford, Connecticut architect. It was erected by the Mount Waldo Granite Company of Bangor, Maine.

McDonnell and Sons

When a contract was let to repair the foundation, however, it went to a local mortuary monument company, McDonnell & Sons. In rebuilding the foundation, McDonnell & Sons altered the open stepped base of the monument, creating a tight walkway around the shaft by eliminating some of the base and walling in what remained, forming stairs at each point of the compass, an arrangement which survives today.

In 1889, when McDonnell and Sons rescued the Soldiers’ and Sailors’ Monument, it was a relative newcomer to the Buffalo scene, having opened their Buffalo office only five years earlier.

McDonnell & Sons was founded in 1857 in granite-rich Quincy, Massachusetts by Patrick McDonnell, an Irish immigrant once employed as a stonecutter in the local quarries. Patrick retired in 1881, handing the reins to his son John Quincy McDonnell. In 1884 John moved with his wife and seven children to Buffalo in order to open a branch office, which came to be located at 858 Main Street, between Allen and Virginia streets Another son stayed in Quincy to manage the family’s business there.

The old McDonnell office still stands. The structure’s elaborate granite facade served as a promotion for the company’s products. An arched pediment is surmounted by finials in the shape of funerary urns. Supporting it are polished pilasters with rough-faced florets. An early company advertisement describes the façade as being “the handsomest in the United States — a recognized work of art that attracts the attention of every passer-by and excites admiring comment from all.”

As originally built only 16′ on a side and one-story tall, the showroom quickly proved inadequate for the growing company. A second story was added, and the building was extended in stages to fill the entire length of the 100′ deep lot, assuming its final elongated form by World War I. Window openings puncture the north wall at frequent intervals, washing the interior with shadowless, even light.

Significantly, the later expansion of the building — and the company as a whole — was overseen by John McDonnell’s widow Emily, John having died prematurely in 1894. After her husband’s death, Emily did something bold for a middle class, middle-aged Victorian widow with dependent children: She bought out her brother-in-law Thomas’s interest in the company.

By 1900, McDonnell & Sons had two additional local branches, another two in central New York, one in Connecticut, and one in Indianapolis. Emily served as company president until her death in 1926. In a circa 1926 company brochure, McDonnell & Sons claimed to be the largest granite firm, by sales, in the country. Emily’s obituary in the Courier-Express described her as a nationally-known businesswoman.

While tiny as a building, when read as a grave marker — itself a sign — the granite façade must have struck many as grand indeed. (In simultaneously serving as shelter and sign, McDonnell & Sons predated Robert Venturi’s building-as-sign, “Decorated Shed” coinage by 80 years).

Wealthy shoe merchant John Blocher went to McDonnell & Sons with his plans for an extravagant memorial to his son Nelson, who died shortly after the Main Street showroom opened. Other notable Forest Lawn commissions include the Philip Becker monument, the Volunteer Firemen’s monument, and the imposing Main Street entrance arch.

Other area projects include the Commodore Oliver Hazard Perry monument in Front Park, soldiers’ monuments in Springville and LeRoy, Hamburg’s Soldiers’ and Sailors’ Monument, the Father Hennepin Memorial in Niagara Falls, NY, and the Laura Secord Memorial in Queenston. Company brochures also boasted of commissions for public memorials throughout the U.S. and Canada.


At some point in the 1940s, with Emily’s son James in charge, McDonnell & Sons moved out of 858 Main and into a comparatively plain brick building further north on Main Street. James died in 1951, the last family member to head the operation. In 1968, after 84 years in Buffalo and 111 years after its founding in Quincy, McDonnell & Sons vanished from the Buffalo Polk Directory, the annual “City Directory” of households and businesses.

The old headquarters building was continuously occupied until 1978. It is now vacant. The city acquired the building last year in a tax forfeiture. The building is structurally sound, but needs new mechanical systems, roof work, and windows to bring it up to current city codes — work estimated at $150,000.

This monument of a building — some neighbors call it the Mausoleum Building — is more than a pretty face, as finely cut and polished as the day it opened 112 years ago. It represents a telling slice of Buffalo’s architectural, social, and women’s history.


©Cynthia Van Ness. Originally published in the Buffalo Preservation Report, June 1996.  Advertisement courtesy of 1891 Buffalo city directory. The building has since been remodeled as The Granite Works.  A sales brochure from the company is online at Archive.org.